Who's Zoomin' Who?

| Aretha Franklin

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Who's Zoomin' Who?

Who's Zoomin' Who is the thirtieth studio album by American singer Aretha Franklin. It was released by Arista Records on July 9, 1985 in the United States. A breakaway from the Luther Vandross produced adult contemporary sound of her previous albums Jump to It (1982) and Get It Right (1983), Franklin worked with producer Narada Michael Walden on the majority of the album, envisioning "a record with a younger sound to it." As a result, Who's Zoomin' Who contains influences of several popular mid 1980s genres, including dance pop, synth-pop, and contemporary R&B as well as pop songs with crossover appeal. Released to praising reviews, Who's Zoomin' Who became Franklin's highest-charting album since Young, Gifted and Black (1972) and her first and only studio album to earn a platinum certification from the Recording Industry Association of America (RIAA), with over one million copies physically distributed. A top ten entry in New Zealand and Sweden, the album also went platinum in Canada and reached silver status in the United Kingdom. "Freeway of Love", the album's lead single, proved both a commercial success, as well as a career achievement for Franklin, earning her a Grammy Award for Best Female R&B Vocal Performancewhile holding the number-one position on Billboard's Hot R&B/Hip-Hop Songs chart for five consecutive weeks. Who's Zoomin' Who was considered Franklin's comeback album, with many journalists comparing its performance to Tina Turner's late-career crossover success with her album Private Dancer (1984), and marked the start of several collaborations with Walden. With the album, the singer established herself as a star of music video, with popular videos for "Freeway of Love", "Sisters Are Doin' It for Themselves" and Another Night" enjoying heavy rotation on MTV. In 1989, the album was ranked number 89 on Rolling Stone magazine's 100 Best Albums of the Eighties listing. At the time of its release, Franklin herself rated Who's Zoomin' Who as one of her best albums ever recorded.  

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  • Rolling Stone

    Review Year: 1985 Still, Franklin sweeps through this stylistic hodgepodge with more fire and verve than she’s displayed in years. Even if this isn’t her crossover breakthrough, there’s enough vocal brilliance here to stun any listener within range. 

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  • Rolling Stone

    Review Year: 2018 The reason was Who’s Zoomin’ Who?, her thirty-third(!) album. It’s so much more than an asymmetrical New Wave hairstyle on a soul icon. 

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  • People

    Review Year: 1985 You always want more from her. And in this case she doesn’t seem to have been given a real chance to provide it. ( 

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  • Robert Christgua

    It seems so simple now that it's happened, but let's face it--she's been trying to sell out this big for at least ten years. And take my word for it--she hasn't done anything near this good in over a dozen. 

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  • Warr

    Everything's got standard mid-80s pop trappings: tasteful bell-like keyboards, then-tasteful snare hits - overall it's too sedate for its own good 

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