Sunshine Kitty

| Tove Lo

Cabbagescale

96.4%
  • Reviews Counted:28

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  • Listeners Ratings: 0

Sunshine Kitty

Sunshine Kitty is the fourth studio album by Swedish singer Tove Lo, released on 20 September 2019 by Island Records. It features and was promoted by the singles "Glad He's Gone", "Bad as the Boys" featuring Alma, "Jacques" with Jax Jones, "Really Don't Like U" featuring Kylie Minogue and "Sweettalk My Heart". -Wikipedia

Critic Reviews

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  • Pitchfork

    The Swedish pop star’s fourth album contains some of her most vulnerable writing inside her clubbiest record.  

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  • NME

    glittering, expertly crafted pop and bold new sounds.  

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  • The Guardian

    The Swedish star finds some illicit thrills on an edgy, intimate album that doesn’t quite have the courage of its convictions.  

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  • The Young Folks

    With Sunshine Kitty, each song is a specific scenario or breakup in Tove Lo’s life. It is a singer relaying her experiences rather than universal themes. This is a new method for her to explore musical storytelling, but a less memorable one for an audience who found such personal meaning in her earlier work.  

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  • Albumism

    with some delicious collaborations, club beats and great songwriting, Sunshine Kitty has achieved what it most probably set out to do: create a good album, maybe even a queer one at that.  

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  • Exclaim

    It's sexy, raw, and honest — but above all, Sunshine Kitty is just really good dance music. Essentially, every song on this album would bring anyone to their feet.  

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  • Spectrum Culture

    Likely her best work to date, Sunshine Kitty gives listeners the hooks and melodies everyone else promises you’ll find in Tove Lo.  

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  • The Arts Desk

    Tove Lo’s latest has a maturity of tone to it but, happily, this is firmly riveted to an album that’s thoroughly contagious. 

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  • Eastern Echo

    The Swedish pop star’s fourth studio album contains some of her most heartfelt and vulnerable lyrics but still has sounds that can make you dance through the night. 

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  • Forbes

    Tove Lo Embraces The Dawn After The Darkness. 

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  • Standard

    a collection as enjoyable as it is exasperating.  

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  • Medium

    In my honest opinion, this album ranks below 2016’s ‘Lady Wood’ in her discography, yet is fully worthy of a listen, and is perhaps a fuller body of work than that which some similar artists have put out in revent weeks. 

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  • Riff Magazine

    The more empowered, affirming feel at the core of Sunshine Kitty suggests she may be coming to terms with past romantic misadventures. At the very least, it adds up a solid album full of memorable passages. 

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  • Irish Times

    Shaking off past with pulsating synths.  

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  • The Sentry

    Sunshine Kitty, which combines Tove Lo’s sweet, earnest vocal delivery and electronic poppy production with comparably dark, moody lyrics.  

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  • The Times

    A frank attitude to sexuality.  

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  • Just Random Things

    The generally sexually-charged album is also woven around the singer’s rebellious teenage years up to now. 

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  • mxdwn

    Sunshine Kitty is brutal honesty wrapped up in pretty pop songs. Tove Lo continues to show people just how well she can turn words of feelings and heartache into a fun time. 

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  • All Music

    Ear-catching production touches like the slinky acoustic guitars that wind through "Shifted" and the distorted pianos on "Come Undone" add to the feeling she's finding new ways to be herself on the album.  

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  • ACRN

    This album isn’t just fun as hell, but it’s empowering to hear. At the end of the day, it is overall a fun album that meets the quota for mainstream pop music.  

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  • Cryptic Rock

    Sunshine Kitty is full of young love, summery vibes, and plenty of reasons to dance. The perfect balance of catchy Pop antics, fresh electronics, and Tove’s natural, vocal talents, all with a darkly moody twist, the album shows that this fierce female is truly embracing her talents and opening a new chapter, musically speaking.  

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  • The Rodeo Magazine

    Tove Lo’s Sunshine Kitty is nothing new. I probably won’t go back to it, just like I’ll probably never have a burger ever again. I cannot even decide whether I enjoyed the experience or not, but as an album, just like an octuple bypass burger, it leaves a lot to be desired.  

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  • Black Boy Bulletin

    Even though the overall mood is dampened during the last few tracks, Tove’s excellent vocal performances (she’s super committed to the self-destructive neurotic party girl character), complete with perfectly placed riffs, and strong lyricism save the day.  

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  • Mystic Sons

    'Sunshine Kitty' may have the aural sensibilities of a radio-friendly pop release, but scratch below the surface and you'll find a wealth of fascinating and identifiable stories that keep this record engaging and recognisable throughout.  

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  • Idolator

    Tove Lo's 'Sunshine Kitty' is brimming with perfect pop songs. 

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  • The Clock Online

    It’s fun to listen to and probably would make for good background fodder, but only a few songs really caught my attention long enough for me to listen to the lyrics. 

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  • The Captain's Log

    Overall, “Sunshine Kitty” stands as a strong addition to Tove Lo’s discography and is a great example of an artist who, while still being considered mainstream pop, takes the listener outside of the “norm.” 

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  • Thomas Bleach

    There is a bit of variety on this record, but at it’s heart, ‘Sunshine Kitty’ is a very different record to anything she’s released before. It’s very reflective of the artist she is becoming and tackles her vulnerability in a lighter and club directed way which will be represented in her live show in a fun manner.  

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