SUFFERING FROM SUCCESS

| DJ Khaled

Cabbagescale

50%
  • Reviews Counted:16

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SUFFERING FROM SUCCESS

Suffering from Success is the seventh studio album by American disc jockey and producer DJ Khaled. It was released on October 22, 2013, by We the Best Music Group, Cash Money Records and Republic Records. The album features guest appearances from Future, Diddy, Meek Mill, Rick Ross, T.I., 2 Chainz, French Montana, Timbaland, Lil Wayne, Drake, Chris Brown, Nicki Minaj and Jeremih; as well as the production on the album was handled and provided by Khaled himself, along with Boi-1da, J.U.S.T.I.C.E. League, Arthur McArthur, Timbaland, Streetrunner, Young Chop and Lee on the Beats, among others. Suffering from Success was supported by two singles in total; including "No New Friends" featuring Lil Wayne, Drake and Rick Ross, and "I Wanna Be with You" featuring Nicki Minaj, Future and Ross. The album was met with mixed reviews from music critics and debuted at number 7 on the US Billboard 200. -WIKIPEDIA

Critic Reviews

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  • ALL MUSIC

    Khaled does his usual cheerleading and gets some production credits himself, but the real trick he pulls off is inspiring all these artists to somehow save up all these high-grade club tracks and singles for the DJ's annual dispatch. Suffering from Success, once again. 

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  • XXL

    He simply doesn’t provide enough flash to continue his meteoric ascent toward becoming an independently viable brand. 

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  • HIPHOPDX

    While Suffering From Success has all of the coherency one would assume comes from locking down the A-Room of one of Cash Money Records’ studios, DJ Khaled offers none of the earmarks which have previously separated his collections from everyone else’s. 

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  • Boston Globe

    Despite some deft, defiant turns the set suffers from inconsistency.  

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  • The New York Times

    “You Don’t Want These Problems”--a posse cut featuring Mr. Ross, Big Sean, French Montana, 2 Chainz, Meek Mill, Ace Hood and Timbaland--comes closer to hitting the album’s bull’s-eye of gloating complaint.... Much of the rest of Suffering From Success feels rote, with too little payoff for the crassness. 

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  • Rap Reviews

    It saddens me to say that this seventh edition of Khaled and co doesn't help the producer's increasing lack of relevance.  

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  • hnhh

    DJ Khaled’s latest project suffers from a lot more than success.  

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  • Forbes

    it is tough to tell exactly what Khaled's actual and direct musical contributions are as far as ‘producer’ goes but I believe he is helping arrange this music more so than program it. Regardless, he is omnipresent across all 16 tracks. 

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  • brent music reviews

    Suffering From Success isn’t really suffering from success, but it may be suffering from a lack of innovative spirit. It’s good enough, not great If you’re looking for depth, avoid it. If you want to get it poppin’ at the club, this is for you.  

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  • WEARESOFRESH

    Honest truth is there is no message here if that is what you are looking for. Khaled did what Khaled does best- Make hits for the club. you got your usual suspects on the features- Lil' Wayne, Drake, Rozay, Nicki, Ace Hood, Future and more. 

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  • exclaim!

    Despite being titled Suffering from Success, what it's actually ailing it is a lack of originality.  

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  • WHIP

    is a must listen for fans of upbeat hip-hop music. The album is a reflection of Khaled’s emphasis on combining electronic beats with hip-hop/rap vocals. Like previous records, it is heavy on the collaborations. 

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  • MIMO

    is an overwhelming, formulaic and repetitive orgy of features and club-ready production.  

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  • Muzic Junkies

    It seems rushed and more like a mixtape than anything else. Khaled’s ethic and direction in the compiling of the record seems very lazy and not well calculated.  

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  • The Source

    the album is chock full of guest appearances, touting a who’s who of relevant rap talent that makes for a musical gumbo that packs plenty of punch. 

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  • ADRAMATIC(translated)

    In the end an album with some good passages, but difficult on the length.  

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