Street Angel
| Stevie Nicks
Street Angel
Street Angel is the fifth studio album by the American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. Released in 1994, the album peaked at #45 on the Billboard 200 Albums chart and has been certified Gold by the RIAA for shipments of over 500,000 copies. It is the last on Modern Records. -Wikipedia
Critic Reviews
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Seattle Pi
What it all adds up too is the weakest solo album in her catalogue.
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All Music
Nicks' hardcore devotees will want Angel, but it's far from essential.
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Fleetwood Mac
Nicks has managed to carve a distinct place in rock history. She may have been spacey, but she has always been a woman who commanded attention.
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Variety
Though Nicks’ straightforward, soul-baring style and vulnerable personality seem irrelevant next to the bitter rage that marks contemporary modern rock, the enthusiasm she continues to instill in her adoring fans (who still shower the singer with all manner of gifts, by the way) is testament to the singer’s enduring appeal.
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Maggie Felisberto
As a whole, the album is raw and beautiful, but I do kind of lose touch with active listening while it’s on. I’m much more likely to zone/have Street Angel as background music. It’s pleasing, but not very memorable like the bookend albums of Nicks’ thus-far solo career, kind of like almonds
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Medium
There are no outright bad songs on Angel, but several cuts feel unfocused or underdeveloped.
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Ultimate Classic Rock
The album suffers from "too many cooks" syndrome.
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WARR
Nicks was short on material.
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The Ledge Rumours
The album is not a complete waste, but it is a major step back for Stevie Nicks.
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People
There are some flights of fancy to appease die-hard escapists—the oblique “Greta” is an ode to a screen siren—but overall, this is Nicks as persuasive advocate for reality.
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