SOUNDS OF SILENCE

| Simon & Garfunkel

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SOUNDS OF SILENCE

Sounds of Silence is the second studio album by Simon & Garfunkel, released on January 17, 1966. The album's title is a slight modification of the title of the duo's first major hit, "The Sound of Silence", which originally was released as "The Sounds of Silence". The song had earlier been released in an acoustic version on the album Wednesday Morning, 3 A.M., and later on the soundtrack to the movie The Graduate. Without the knowledge of Paul Simon or Art Garfunkel, electric guitars, bass and drums were overdubbed by Columbia Records staff producer Tom Wilson on June 15, 1965. This new version was released as a single in September 1965, and opens the album. "Homeward Bound" was released on the album in the UK, placed at the beginning of Side 2 before "Richard Cory". It was also released as part of the box set Simon & Garfunkel Collected Works, on both LP and CD. Many of the songs in the album had been written by Paul Simon while he lived in London during 1965. - WIKIPEDIA

Critic Reviews

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  • ALL MUSIC

    Though a rushed effort, this was a far stronger album than their debut.  

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  • sputnik music

    Sept 30, 2013 - What a wonderful album.  

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  • Only Solitaire

    Fully matured as folkies, kiddie-behavoured as rockers - in other words, one of their least boring albums.  

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  • APHORISTIC ALBUM REVIEWS

    Sounds of Silence is an entertaining listen, but it’s a hastily compiled album by a duo still learning their craft, and they’d soon start making even stronger records.  

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  • Adrian Denning

    the vocals this album around aren't as strong in terms of harmonies as before, perhaps as a result of the nature of 'big business' getting in the way. The songs themselves are largely all excellent, there's not really a weak link. Key point, the production isn't as careful as what would follow or as simple as what came before.  

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  • Mark Prindle

    I'm not exactly Mr. Lyric Guy, but Paul could really write. Probably still can. Personally, I can't stand the ugly shouted vocals in "Blessed," and I suppose "Leaves That Are Green" seems a bit weak in this otherwise flawless collection, but aside from those two slight missteps, this is one heck of a fine mid-60s document.  

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  • Wilson & Alroy's Record Reviews

    A quick cash-in on the folk-rock phenomenon, it still has some great moments.  

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