Souljaboytellem.com
| Soulja Boy
Souljaboytellem.com
Souljaboytellem.com is the debut studio album by American hip hop recording artist and producer Soulja Boy Tell 'Em. It was released on October 2, 2007, by his Stacks on Deck (SOD) label, Collipark Music and Interscope Records, affiliated by the independently-incorporated HHH Artists label. The album only features guest appearances from Arab and i15. The album was supported by four singles: "Crank That (Soulja Boy)", "Soulja Girl" featuring i15, "Yahhh!" featuring Arab, and "Donk". -Wikipedia
Critic Reviews
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Sputnik Music
Soulja Boy takes rap to new lows with this 49 minute suckfest.
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Amino
This is the first album on Spotify by the Chicago rapper Soulja Boy. Many people say that this is the greatest album of all time and personally, I agree.
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All Music
This solid party album should satisfy giggling Right On! readers with pin-ups in their locker, way too cool mash-up fans that carry gigabytes of club music in their pocket, and all the freaky party people in between.
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Pop Matters
It's still only Soulja Boy's debut effort, and at the ripe age of seventeen, we need to at least give him some time to develop. Still, it's not too hard to envision Souljaboytellem.com in some discount clearance bin a few years from now. It's the encapsulation of where rap production sits right now at the tail end of 2007, and it will serve little purpose beyond that of a time capsule for hip-hop nostalgia junkies. Yet no matter what legacy Soulja Boy ultimately leaves on music history, he at least gave us a rapping Dora the Explorer, and for that we can truly be thankful.
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Freestyle Vision
Overall I would say the single "Crank that Soulja Boy" is work the buy however the Soulja Boy Tell'em album is below average and not worth the money even if the price is right.
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Rap Genius Archive
I am surprised this album even passed 10%. It was saved by Crank That, the best song on the album. Anyway I really have nothing else to add to this review. This has made me appreciate mediocre artists like Wayne and Drake so much more now. I will never disrespect them again, not as long as this fuckboi is still breathing.
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The New York Times
There’s just one problem: What, exactly, are you supposed to do with this shiny round thing? Play it? All the way through? Even for a fan, 48 minutes is a lot of Soulja Boy. And this album is missing much of what first made him a star: the home-grown dance-offs, the cover versions, the goofy videos of the young star himself with his name Wite-Outed onto the lenses of his sunglasses. “I got a new dance for y’all,” he declares, at the beginning of “Let Me Get ’Em,” but if you’d like to see it, go online — this CD won’t be any help. Good news for Soulja Boy, but not for Interscope: He makes the album-driven music industry seem that much more obsolete.
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Common Sense Media
Really bad in every inappropriate way.
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Yo Rapper
This is the worst album in recorded history. (The very fact, I had to subject myself to reviewing this album, should make you come to this site everyday, as it shows how far I’m willing to go for all of you)
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Rap Reviews
Soulja Boy tries to stretch his simple repetitive beat production style across an entire album and it fails miserably. In short his beats and melodies are as monotonous as his songs are vapid. The only hoe that got Superman'd on "SouljaBoyTellEm.com" is anybody who spent $14.99 on this album.
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Deviant Art
I have an idea. The rest of the United States should impose a TAX on Southern rap/crunk/snap. That way it becomes more difficult for the South to spread their dumb rappers across the United States (and the world). Verdict
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SPIN
When he raps, he often sounds winded or behind the beat, but his debut triumphed by way of playground-style repetition. On "Yahhh!" Soulja and fellow shouter Arab just scream, "Yahhh!" at all their problems. "Crank That" even drew the wrath of rap pioneer Ice-T, who engaged in an absurd beef, calling the song "garbage," and invoking Rakim — but a No. 1 single was the decisive last laugh. B.S.
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