RAISE YOUR FIST AND YELL
| Alice CooperRAISE YOUR FIST AND YELL
Raise Your Fist and Yell is the seventeenth studio album by rock musician Alice Cooper released on September 5th 1987. It features the track Prince of Darkness , which is featured very briefly in the John Carpenter film of the same name, in which Cooper has a cameo as a murderous vagrant. The song can be heard on the Walkman of one of his victims. A music video was made for the song Freedom , which also became the album's sole single. Raise Your Fist and Yell is the only Alice Cooper album to feature Ken K. Mary on drums and the last to feature Kip Winger on bass. -Wikipedia
Critic Reviews
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Sleaze Roxx
Sure, it doesn’t have that much musical ‘sophistication’ compared to some of the Coop‘s other albums but nevertheless it’s a very strong album overall.
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All Music
The album is obviously rushed and suffers similar flaws to Constrictor, most notably its large amount of filler.
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World Metal Domination
2018 - there’s still enough decent tracks here to keep you occupied
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Review-O-Matic
I find most of Alice Cooper’s music from the 70’s to be slow and boring, and his new stuff to be just a little radio friendly. For one album through, I think he hit the nail right on the head.
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Daily Vault
2001 - but that's because it's so bad that it's funny
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Don Ignacio
There are two types of songs on Raise Your Fist and Hell: The fun ones and the boring ones.
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Rough Edge
Alice Cooper fans who may not have heard of "Raise Your Fist And Yell," by all means, pick this one up!
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Louder Sound
The worst of Alice’s glam-metal comeback records, Fist is Coop at his most pandering and ponderous. That being said, it is exactly as ridiculous as anything else released in 1987.
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Hard Rock Hideout
2007 - Most of lyrics are fairly simple on this record, but that is ok, as the songs are definitely rocking!
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Ginger Nuts of Horror
2018 - It’s a solid, if unspectacular piece of rock
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No Life Til Metal
A great live offering from Alice Cooper
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Rarebird's Rock and Roll Rarity Reviews
it's never boring, and has plenty of wild guitar playing (by Kane Roberts) to hold your attention
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