Pablo Honey

| Radiohead

Cabbagescale

83.3%
  • Reviews Counted:24

Listeners Score

0%liked it
  • Listeners Ratings: 0

Pablo Honey

Pablo Honey is the debut studio album by English rock band Radiohead. It was released on 22 February 1993 in the United Kingdom by Parlophone and in the United States by Capitol Records. It was primarily produced by Sean Sladeand Paul Q. Kolderie and recorded at Chipping Norton Recording Studios in Oxfordshire from September to November 1992. The album’s title comes from a prank call skit by the Jerky Boys in which the prank caller says to his victim, “Pablo, honey? Please come to Florida!” -Wikipedia

Critic Reviews

Show All
  • Rolling Stone

    If they don’t implode from attitude overload, Radiohead warrant watching. 

    See full Review

  • Classic Rock Review

    Through the album’s stretch run it settles into a nice groove with moderately interesting tunes. 

    See full Review

  • All Music

    The band achieves a rare power that is both visceral and intelligent.  

    See full Review

  • Pitchfork

    If you're curious or a completist, Pablo Honey is out there.  

    See full Review

  • BBC Music

    This remains one of rock's most impressive debuts. 

    See full Review

  • Sputnik Music

    Pablo Honey was Radiohead's first album and it was a great one.  

    See full Review

  • IGN

    The second disc adds something real and deepens the overall musical experience.  

    See full Review

  • Consequence of Sound

    England’s answer to grunge.  

    See full Review

  • NME

    ‘Pablo Honey’ is far too good to be seen as mere juvenilia. 

    See full Review

  • Medium

    Pablo Honey is like a sandwich in which the bread parts are tight as hell, but the middle bit, with all the salad and the lettuce and maybe even some tomatoes if you’re feeling particularly adventurous, is pretty flaccid.  

    See full Review

  • The Top Tens

    It is overall a mediocre album, but it still has a few standout tracks, such as Creep and Blow Out, but it is overall a fairly dull, occasionally awful experience, it really cannot be compared to Radiohead's later work in terms of quality.  

    See full Review

  • Alt Rock Chick

    Their trajectory from Pablo Honey to Kid A was a near-vertical line that shot up like a rocket. Nonetheless, they started a lot stronger than many people realize, and I’ve learned over the years that my friend wasn’t the only Radiohead aficionado to ignore Pablo Honey. 

    See full Review

  • Vulture

    It’s a reminder that there still remain possibilities for new pulses and progressions in rock — even if Radiohead, perhaps grasping itself too firmly, seems to be turning into a monument of the genre. 

    See full Review

  • Clash Music

    Their debut album points towards everything that they would go on to be. 

    See full Review

  • The Guardian

    Pablo Honey was anger, energy, hope, rage, angst, fear – all the things that I clung to with a weird masochistic adolescent pride. 

    See full Review

  • Aphoristic Album Reviews

    Pablo Honey is an undistinguished debut; given Radiohead’s rich catalogue, it’s primarily an historical curiosity.  

    See full Review

  • Music KO

    “Pablo Honey” will always be a good disc. Yet, whether you would like to listen to a good disc when the band was to release some of the most groundbreaking works of the decade is entirely up to you.  

    See full Review

  • Wired

    Pablo Honey will always be best remembered for the weirdo hit single “Creep,” a snarling anti-love song anchored by Thom Yorke’s soaringly pissant voice, Johnny Greenwood’s distorted pre-chorus guitar gulp, and lyrics seemingly grifted from the most miserable yearbook quote of all time. The rest of the album, though, is generic mid-’90s alt-ness. 

    See full Review

  • Bored and Dangerous Blog

    It’s straight forward guitar rock, written and performed way better than average. But it’s still straight forward guitar rock and is hardly breaking any new ground.  

    See full Review

  • SPIN

    Loner anthem “Creep” still speaks to the disenchanted teen in all of us, with Thom Yorke’s wail cutting through distorted riffs like a beacon in the fog. Elsewhere, traces of future experimentation glimmer through in the Sonic Youth fuzz of “Anyone Can Play Guitar” and the dreamy lounge-pop meltdown “Blow Out.” 

    See full Review

  • Contact Music

    Pablo Honey was the start of something great - even if it made people sceptical at first. 

    See full Review

  • 4 out of 5 Reviews

    This album is one of the few Radiohead releases that is incredibly easy to date, a product of 90s production and songwriting styles popularized by groups like Nirvana and Soundgarden. There were much brighter days ahead for the group.  

    See full Review

  • Modern Rock Review

    It’s lumpy and uneven and often sounds like a band pulling in five different directions – but that last quality was, and occasionally remains, part of Radiohead’s appeal.  

    See full Review

  • Paragraph Album Reviews

    Doesn't really stand out from the crowd. 

    See full Review

Rate This Album and Leave Your Comments