Odessa
| Bee GeesOdessa
Critic Reviews
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Pitchfork
Odessa is a feast that's hard to fault for ambition but too rich and occasionally too stodgy to take in one sitting.
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Rolling Stone
The string-laden instrumentals and soulful baroque pop evoke the splendor of the Moody Blues. And a third disc with demos suggests the unpolished sprawl of the Beatles’ White Album. Stripped of window dressing, baubles like “Melody Fair” prove the Gibbs’ effusive melodies and aching harmonies are ends in themselves.
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Ultimate Classic Rock
Despite any concrete 'concept,' it does play out like a unified work, and one that is stocked full of beautiful songs with incredible production. The album covers a lot of ground in its 17 tracks, and except for a couple slight missteps, has actually aged very well.
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All Music
Odessa is one of perhaps three double albums of the entire decade (the others being Blonde on Blonde and The Beatles) that don't seem stretched, and it also served as the group's most densely orchestrated album. The myriad sounds and textures made Odessa the most complex and challenging album in the group's history, and if one accepts the notion of the Bee Gees as successors to the Beatles, then Odessa was arguably their Sgt. Pepper's.
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BBC
While there's some good writing on it, it's also true that this is spread perilously thinly. Falling somewhat short of the hyperbole that heralds any present-day discussion of the record, like nearly every double album ever released, there's probably a great single album lurking between the filler.
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Tiny Mixtapes
Although their previous records shared a melancholic undercurrent, there are moments in Odessa that are downright devastating, forever raising the bar for sad music. Odessa plays without any filler. Even the purely orchestral pieces, though slightly superfluous, lend themselves to an overall tone without sounding completely misguided.
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Pop Matters
One notices how surprisingly stripped-down Odessa actually feels, despite boasting such luxuriant overtones. Often, drums, bass, and guitar form the only pieces of instrumentation, not including the orchestra or an occasional woodwind, and so it's to the Bee Gees' credit they construct something so grandiose while maintaining distinct instrument separation in the mix
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