Oblivion
| T-Pain
Oblivion
Oblivion (stylized as OBLiViON) is the fifth studio album by American R&Brecording artist T-Pain, that was released through RCA Records and his own label Nappy Boy Entertainment on November 17, 2017. It is his second album released after the demolition of Jive Records and his final album under Akon's Konvict Muzik label. Recording sessions for the album took place from 2014 to 2017.-Wikipedia
Critic Reviews
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Pitchfork
Retreads vastly familiar territory that is more fun than illuminating.
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Hot New Hip Hop
Perhaps the golden age of T-Pain has come to a close, but maybe this is just the initial missteps of a veteran slowly working to find himself after being kept off the radar for such a long time.
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DJ Booth
With some great moments and some bad moments, 'Oblivion' is a fitting re-introduction.
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Hip Hop DX
One thing can be said for the rapper/singer: he never under-delivers — even if the expectation is for him to totally drop a masterpiece onto the world.
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The Young Folks
It took six years for this train wreck to be released, and you’ve got yourselves a perfect storm of toxic waste.
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DBK News
Pain does display himself as an artist still bursting with ultra-malleable talent.
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The Gaurdian
The music is just as tasteless and tired.
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Billboard
T-Pain Doesn't Miss a Beat .
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Spectrum Culture
Eventually, we come to recognize which tracks are T-Pain productions, because they’re just…better.
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Ratings Game
T-Pain deserves his new album ‘Oblivion’ to at least get a look from hip hop listeners everywhere.
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Cotma Sounds
The growth that he’s showing here at least interests me, which is more than I can say for some of his imitators
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Hip Hop N More
PROVES HE’S STILL AN ARTIST TO RECKON WITH.
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Richer Sounds
It is a pleasure to hear him sing again, and the project caters for both his male and female listeners.
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Daily Nebraskan
“Oblivion” has some great songs that won’t disappoint T-Pain’s fans.
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Badger Herald
Many of the songs seem to drag on due to lack of focus, vision.
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The Anikasuki
A great album with great beats and plenty of diversity, T-Pain’s versatility males the album enjoyable and you don’t feel like things are too similar.
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Pear Shaped Magazine
Monotonous, unimaginative and pernicious.
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JS Online
T-Pain has an album full of potential hits.
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Rhyme Hip Hop
The entire album brings T-Pain’s signature flow, spitting from track to track accommodating the features’ flows.
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Soultrain Online
Consistently shimmies along the original T-Pain sound.
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The Sag Online
T-Pain took some risks and they definitely paid off.
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Michigan Daily
An artist experiences a resurgence borne of mass nostalgia, which may yet happen for Pain, but likely not as a result of this new release.
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Go Radio
A modern pioneer of a vintage sound, this guy is a living legend that most definitely deserves his props
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2 Dope Boyz
It’s a solid offering that’ll hold us over until the next one.
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The Young Folks
Mix that with boring production, laziness, and the fact that it took six years for this train wreck to be released, and you’ve got yourselves a perfect storm of toxic waste.
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991 Nation
Pain’s modern-day auto sounds are still very much present.
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Slacker
Devotes most of his energy to characteristically hedonistic pursuits, primarily over sleek and booming productions with a dance-pop bid.
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