NEVER LET ME DOWN

| David Bowie

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37.5%
  • Reviews Counted:8

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NEVER LET ME DOWN

Never Let Me Down is the 17th studio album by David Bowie, released on 20 April 1987 on the label EMI America. Bowie conceived the album as the foundation for a theatrical world tour, writing and recording most of the songs in Switzerland. He considered the record a return to rock and roll music. Three singles were released from the album, "Day-In Day-Out", "Time Will Crawl" and "Never Let Me Down", which all reached the UK Top 40. One of Bowie's better-selling albums,

Never Let Me Down was certified Gold by the RIAA in early July 1987, less than three months after its release date, and charted in the top 10 in several European countries, although it only reached No. 34 on the US charts. Despite its commercial success, this album was poorly received by fans and critics, many of whom regard the mid-to-late 1980s as a low point of creativity and musical integrity for Bowie. Bowie later distanced himself from the arrangement and production of the finished album but also admitted a fondness for many of the songs, eventually remixing the track "Time Will Crawl" (one of his favourites) for inclusion on his career retrospective release, iSelect (2008). - Wikipedia

Critic Reviews

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  • RollingStone

    Never Let Me Down is also something of a mess. 

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  • Only Solitaire

    Bowie makes a typical eighties pop record; only the usual weirdness and just a slight touch of creativity lifts it up.  

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  • John Mcferrin

    Once again, don't bother. And congratulations to David Bowie for putting together the single worst three album stretch on my site thus far.  

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  • Adrian Denning

    This record sounds exactly as you'd expect an 80s Bowie album to sound, only minus the hits.  

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  • Don ignacio

    Even though this was a career low, it's not the worst album I can think of. Everything apart from those two weird songs in the middle are passable.  

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  • Wilson & Alroy's Record Review

    Bowie sounds like Bowie, but one-man backing band Erdal Kizilcay drowns him out with 80s blandness: atmospheric synth, predictable funk bass, and robotic drums ("New York's In Love"). There's not much more to say, because every damn song sounds the same.  

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  • ALL MUSIC

    jumbled mix of loud guitar rockers and art rock experiments.  

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  • sputnik music

    You let us down, Mr Jones… 

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