More..
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More . . . is the first soundtrack album and third studio album by English rock band Pink Floyd. It was released on 13 June 1969 in the United Kingdom by EMI Columbia and on 9 August 1969 in the United States by Tower Records. It was the band's first album without any involvement from former band leader Syd Barrett, and is a soundtrack for the 1969 film of the same name, which was primarily filmed on location on Ibizaand was the directorial debut of Barbet Schroeder. -Wikipedia
Critic Reviews
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Ultimate Classic Rock
More, however, makes its own argument for a place in the larger scheme of things. Listen in, and you will hear a whole world of great sounds from this always-exceptional band.
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All Music
Several of the tracks are pleasantly inconsequential, but this record does include some strong compositions, especially "Cymbaline," "Green Is the Colour," and "The Nile Song."
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Sputnik Music
Overall More doesn't really flow or sound like a Floyd album, the instrumentals are rather simple, and most of the vocal songs aren't what a WYWH or PATGOD fan would expect. But most of the songs are good or great nonetheless.
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Music Amino
More is a very half baked and unbalanced album in which track One to track Six and Ibiza Bar are wonderful songs while the rest are low energy, dull and flat with no interesting ideas brought to the table.
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Consequence of Sound
Pink Floyd’s third album is also its first without erratic founding member Syd Barrett, and it finds the band leaning heavily on recent addition David Gilmour. The results are wildly uneven, with psych-tinged, pastoral folk ballads pressed up uncomfortably against avant-garde sound experiments.
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Metal Reviews
It's not terrible, but neither is it really worth pursuing when surrounded by so much excellence elsewhere in the Pink Floyd discography.
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John McFerrin Music Reviews
While this album is far from perfect, I enjoy it enough to happily give it a 9. Every Pink Floyd fan should have this eventually ... even with "Nile Song."
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Aphoristic Album Reviews
There’s plenty of worthwhile material on More, but as a soundtrack it’s less coherent than Pink Floyd’s previous albums.
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