MIDNIGHT LOVE

| Marvin Gaye

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MIDNIGHT LOVE

Midnight Love is the seventeenth and final studio album (that is not a posthumous one) by Marvin Gaye. He signed with the label Columbia in March 1982 following his exit from Motown. The final album to be released before his death, it ultimately became the most successful album of Gaye's entire career. -Wikipedia

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  • Rolling Stone

    1983 - It has the rhythmic tension, melodic delicacy and erotic resilience of Gaye’s greatest music, and it extends those attributes by applying contemporary synthesizer gimmickry judiciously and soulfully.  

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  • Pop Matters

    2000 - Midnight Love has some great moments, and has its place both in Marvin Gaye's fine catalog and in the history of R&B 

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  • Albumism

    2017 - His signature brand of textured funk and elegant soul molded into a sleeker, heavily processed style, crackling with Jupiter 8 synth blips and urgent Roland TR-808 throbs. Sonic stabs of reggae, synth-pop, and new wave are thrown into the stylistic palette, for good measure. 

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  • All Music

    In addition to this project thriving with Gaye's enthusiastic spirit, it has his harmonious background vocals, his stunning vocal arrangements and his creative penmanship, as he wrote all the selections.  

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  • NY Times

    1998 - But the best part of the expanded album is that it provides extended versions of Gaye's supple, undulating grooves, an ingenious and constantly mutating blend of electronics, funk, Caribbean rhythms and deep soul. 

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  • The Goon Report

    2017 - but there are a few other performances of his that I dig  

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  • Hour Community

    2007 - This special edition features a brilliant vocal-only version of Sexual Healing and an alternate take of Third World Girl.  

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  • People

    1982 - Gaye delivers upbeat party favors, and there is even a whimsical Caribbean flavor on the album 

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  • Starling

    it's the best work he's done in years, as he breaks with his by now tired formulas and fools around with early '80s electronics  

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  • OO Cities

    modestly pleasing album that heavily relies on propulsive dance beats, bright upbeat synths, and the all around instrumental prowess of Gordon Banks and Gaye himself  

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  • Wilson & Alroy's Record Reviews

    it's entertaining, packed with good licks  

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  • Robert Christgau

    this album's concentration on the carnal is one reason it's his best ever  

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