Late Nights
| Jeremih
Late Nights
Late Nights (released with the subtitle Late Nights: The Album) is the third studio album by American singer Jeremih. It was released on December 4, 2015, by Def Jam Recordings. The album serves as a sequel to his mixtape Late Nights with Jeremih (2012) and the follow-up to his second studio album All About You (2010). Recording sessions took place during 2013 to 2015. The production on the album was handled by several producers, including: London on da Track, The Mekanics, Soundz, DJ Mustard, Needlz, Vinylz and Frank Dukes, among others. The album features guest appearances from Ty Dolla $ign, Jhené Aiko, Migos, Juicy J, YG, Twista, Future, Big Sean, J. Cole and Feather. Late Nights was supported by four singles; "Don't Tell 'Em", "Planez", "Oui" and "Pass Dat". -Wikipedia
Critic Reviews
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Pitchfork
Jeremih's long-delayed third studio album officially renders his early career a distant memory and establishes himself as one of R&B's most singular voices. In its subtle seduction, Late Nights feels all the more special in an era that increasingly rewards artists who shout the loudest.
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Sputnik Music
At first glance, Late Nights with Jeremih would appear to be an album about knocking boots but its really an album about wanting to have sex. For all his self-aggrandizing, on almost all of the tracks here Jeremih is absolutely pleading for sex. Clever, music about wanting to have sex is more compelling than music about thrusting and grunting.
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COS
Late Nights: Europe continues the superstar run that The Album inaugurated. It brings Jeremih that much closer to realizing his full potential.
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Tiny Mixtapes
The soundscapes on Late Nights at once pulsate with life and float soberly, delicately balancing the infectious with moodiness and allotting Jeremih’s flourishing creativity optimal breathing room to do whatever he pleases.
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HNHH
An almost perfectly executed album of nocturnal R&B bliss.
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Inverse
Jeremih succeeded in putting out an album that is hard to wholeheartedly dislike with this new Late Nights — that is, unless the uncouth lyrical content rankles you.
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Pop Matters
the large majority of the features drag Late Nights away from excellency. Jeremih is so, so good at creating a potent brew of all things sex -- hopefully, he’ll strike out more on his own next time.
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HNHH
It's a fitting addition to a solid catalogue that Jeremih has been developing since stepping foot in the game. We're excited to hear more.
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Crack Magazine
Late Nights: The Album is the statement Jeremih always had in him. Well worth the wait.
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All Music
Jeremih nonetheless delivers enough slightly quavering, somewhat vulnerable sounding NC-17 and X-rated lines to keep ears perked.
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HipHop DX
Late Nights shoots at the moving target that is modern rhythm and blues and scores, because sometimes sheer talent just can’t be denied.
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SPIN
Jeremih’s no saint, certainly, but this album feels universal in its depictions of desire — his sexiness is satiable, his desires multifaceted, and the way he chooses to explore them deliberately diverse.
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