KISSES ON THE BOTTOM

| Paul McCartney

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KISSES ON THE BOTTOM

Kisses on the Bottom is the 16th solo studio album by Paul McCartney consisting primarily of covers of traditional pop music and jazz. Released in February 2012 on Starbucks' Hear Music label, it was McCartney's first studio album since Memory Almost Full in 2007. The album was produced by Tommy LiPuma and includes just two original compositions by McCartney: "My Valentine" and "Only Our Hearts". The former features Eric Clapton on guitar, while the latter features Stevie Wonder on harmonica. Kisses on the Bottom peaked at number 3 on the UK Albums Chart and number 5 on the US Billboard 200, while also topping Billboard magazine's Jazz Albums chart.- WIKIPEDIA

Critic Reviews

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  • RollingStone

    a love letter to Nancy Shevell, the new Mrs. McCartney. 

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  • The Guardian

    because the renditions are so breezy, the emotional depths of these songs remain resolutely unexplored.  

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  • Ultimate Classic Rock

    It's highly doubtful that this will be McCartney's playbook from here on out, but rather a casual stop along the way.  

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  • Entertainment

    It's de-lovely.  

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  • The Telegraph

    Paul McCartney abandons the guitar and pays homage to the music of his youth.  

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  • AV/MUSIC

    Here they sound like preludes to a nice cup of tea and an afternoon nap.  

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  • Los Angeles Times

    Gentle on the ears and soft on the heart, Kisses might be of no greater or lesser consequence than an easygoing golf outing among friends or a weekend spent digging a garden near the back fence, but its pleasures, though small and sleepy, can be gratifying.  

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  • paste

    Kisses on the Bottom is a winner from beginning to end.  

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  • The New York Times

    The music ... floats over you like a light mist on a cool spring morning in an English garden as the sun glints through the haze. 

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  • BBC

    And after years of personal and professional earnestness, he sounds like he's having fun.  

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  • CLASH

    It's got a sweet, easy intimacy. 

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  • American Songwriter

    It's fine, it's dandy, and it's completely inessential.  

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  • CoS

    Kisses on the Bottom is a respectable collection from a pop mastermind. 

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  • popMATTERS

    Kisses on the Bottom may only get you about halfway there, flowers in hand wondering whether a second date is on the cards, unsure if that's even what you want at all. 

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  • Chicago Tribune

    These songs are meant to swing, but McCartney lets them plod. 

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  • DROWNED IN SOUND

    Such relaxed saunters down musical memory lane have been done before, and often better.  

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  • NOW

    His usually formidable voice could have saved it, but he often sounds like he's struggling to hit the notes.  

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  • INDEPENDENT

    The lite-jazz treatment of standards on Kisses on the Bottom seems like a misstep.  

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  • SPIN

    Sir Paul McCartney has made an utterly forgettable, featherweight record designed primarily to appeal to Sir Paul McCartney.  

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  • ALL MUSIC

    As a vocalist, this may not be his natural forte, but he takes great care with the songs, and that palpable love is enough to make Kisses on the Bottom worth a spin or two. 

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  • NPR

    It takes about 10 seconds — and a glance at the album's title — to recognize that Kisses on the Bottom is not going to rank among the major recorded works of Paul McCartney's life. 

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  • UPROXX

    McCartney is paying homage to the music his father loved and that he grew up listening to 

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  • TIME

    The former Beatle has a great reverence for standards and he does them proud on this very charming album. 

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  • QRO

    When considering Paul McCartney’s music catalogue, if you’re looking for the stuff of legend, stay far away from this album.  

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  • NJN Network

    He sings some of the songs, mostly old, that influenced his musical tastes. 

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  • Tiny Mix Tapes

    Kisses on the Bottom’s concept: Paul McCartney makes jazzy renditions of pop standards he treasures. That’s about it. 

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  • Uncut

    In a genre mostly attempted from lazy despair, this album is made with care, love and expertise and it shows on every song. 

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  • EXPRESS

    It’s no great vocal performance, many have trod this path before and there’s not much to say about the choice of songs but it has its charm.  

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  • Contact Music

    these versions don't have the same emotional pull as the greats that he so clearly wanted to emulate. 

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  • Limelight Magazine

    This collection of jazz standards and showtunes showcases McCartney as a singer who, while not possessed of the most opulent timbre, has a sweet voice and a knack for making lyrics ring true, especially when it comes to lurve. 

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  • ICON FETCH

    While it does make for some pleasant background music, with some more upbeat song choices, and more engaging singing from McCartney, this could’ve been a lot better. 

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  • Montreal Gazette

    We can be thankful he took his time and got it right. The album is a beauty. 

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  • The Scotsman

    McCartney is not a remarkable singer and it shows here. 

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  • leighvalleylive

    'Kisses on the Bottom' is a drag. 

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  • day trippin

    Kudos to Paul for following his creative heart and exploring the “jazzy” side of himself. 

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  • the arts desk

    Beatle raised on big-band standards croons a love letter to the yesteryear of his youth.  

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  • Christian Century

    It’s a shame, though, that he doesn’t play on the album—and that the arrangements stick with the lounge-swing script, all polish and no spark. 

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  • AU.

    For the most part Kisses on the Bottom isn’t going to set the music world alight and likely doesn’t signal a whole new direction for McCartney.  

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  • THE BLADE

    This 14-song set of mostly pre-rock swing tunes that Macca learned in his Liverpool living room growing up is a warmhearted trifle, a music box of chocolate truffles proffered to his new wife, Nancy Shevell. 

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  • The Irish Times

    There were fears this labour of love would be a cloying affair, but it is, mostly, a stunning and affecting piece of work. 

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  • entertainment.ie

    lulls the listener too close to boredom.  

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  • San Diego Reader

    With his constipated take on these ancient ditties, one wonders if Sir Paul should add a little fiber to his diet. 

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  • Backstage Auctions

    it just might make you fall in love with McCartney all over again.  

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  • Lance's Blog

    it is wonderful to listen to if you want to unwind. 

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  • Record Collection Magazine

    He may once have been one of the finest voices in rock’n’roll, but a jazz singer he isn’t.  

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  • neon tommy

    if you find it periodically yawn-inducing, McCartney can do whatever he wants. 

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  • Adrian's Album Reviews

    Hard to be too critical overall, the playing is always impeccable, but when the playing and production are the most note-worthy things about an album, an eyebrow or two is always raised.  

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  • Emmanuel Fonte

    Kisses on the Bottom is for listeners who appreciate great songwriting blended with velvet smooth performances by some seriously skilled instrumentalists. 

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  • VVN Music

    Paul McCartney has joined the throngs of rock performers dipping back into the music of the 30's and 40's but with one big difference. He understands and appreciates the music of that era. 

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  • The New Republic

    McCartney has made a pretty, cheerily listenable album of covers. 

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  • The Orange County Register

    he’s gratefully given us a tender listen steeped in personal history, one that’s a breed apart from the rest of the schlock standards still clogging the trad-pop racks. 

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  • Phoenix New Times

    Country crooner Brad Paisley took to Twitter saying: "It's only February, but Sir Paul is an absolute lock for worst album title of the year. Actually, maybe all time." 

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  • Iowa State Daily

    This Beatle has gotten older and wiser, and so has his music. It’s a great listen that will instantly make you relax and smile. 

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  • poppmuzik

    Surprisingly (to me anyway), Kisses On The Bottom has generally received good reviews and maybe I just don’t get it. 

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