GET LUCKY

| Mark Knopfler

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  • Reviews Counted:11

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GET LUCKY

Get Lucky

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  • The Absolute Sound

    2013 - these songs often are unabashedly sentimental, some might even say cloying, evoking the same sense of loss and longing found on Knopfler’s excellent 1984 film score for Cal 4.5/5 

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  • Pop Matters

    2009 - an enjoyable collection of blues shuffles, countrified ballads, and Celtic-influenced folk songs that deserves attention and, perhaps most important, deserves to stand on its own 

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  • All Music

    he seems to be trying to create his own pseudo-traditional repertoire of what often sound like old folk songs 3.5/5 

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  • Billboard

    2009 - Listening to "Get Lucky" feels like a journey, where great care has been taken to ensure that you'll come back a little better. 

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  • Pop Dose

    2009 - Get Lucky is not for everyone. It’s mostly a mellow affair, and it’s not out to reinvent anything, but definitely worthwhile on any format if you enjoy a good story the way I do – highly recommended. 

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  • Blinded by Sound

    2010 - With a mix of new and familiar sounds and a batch of some of his finest stories, Get Lucky is a timeless record that puts great in the rearview mirror. 

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  • Readings

    2009 - His songs incorporate pennywhistle, piano and strings and his conversational singing style, like his fingerpicking guitar playing, sits like a soothing glass of port followed by a cigar. 

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  • Sound and Vision

    2010 - There's no question that the 180-gram vinyl of this two-LP set is the best way to experience the subtleties, warmth, and breadth of the Celtic-leaning arrangements by Knopfler and veteran keyboardist Guy Fletcher. 

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  • Antimusic

    Lush, warm lyrics swim in contemplative luxurious compositions. 

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  • Exclaim!

    2009 - On his latest solo album, the former Dire Straits main man deserves credit for focusing on the people and places of his English upbringing, rather than writing odes to Tennessee. 

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  • Stereo Subversion

    2009 - Mark still does a fine job of penning a story, and the ethnic instrumentation adds authenticity. 

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