FROM A ROOM: VOLUME 1
| Chris StapletonFROM A ROOM: VOLUME 1
From A Room: Volume 1 is the second studio album by American singer-songwriter Chris Stapleton, released on May 5, 2017 through Mercury Nashville. Primarily a country, blues, and roots rock record, it was produced by Dave Cobb and Stapleton. -Wikipedia
Critic Reviews
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Pitchfork
Nashville institution Chris Stapleton followed his 2015 breakthrough with two new albums this year. They showcase his omnivorous approach to country music in all its dignified melancholy.
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Plugged In
Room A follows his enormously successful solo debut, 2015's Traveller, and it shares much of that album's musical DNA.
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Variety
Chris Stapleton’s “From A Room: Volume 1” is not in any literal sense a Willie Nelson tribute record, but at times it sure feels like one.
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Consequence of Sound
The country outlaw adds a much-needed layer of grit and spit to Nashville.
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Sputnik Music
A quick dose of the best that modern country has to offer.
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Paste Magazine
From a Room, Vol. 1 — the first of two full-length albums the hirsute Kentuckian plans to release this year — showcases all of the good qualities that propelled Stapleton into the spotlight and solidifies his place at the forefront of current male country artists.
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Pop Matters
Although this album likely won't sweep the CMAs as Traveller did, its refined craftsmanship hammers home Stapleton's abilities as a singer and songwriter.
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Newsday
The classic country star delivers a more personal follow-up to his breakout “Traveller”
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Sounds Like Nashville
Track for track, From A Room, Volume 1 offers much the same vein of music as Traveller.
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All Music
As good as each of these songs is individually -- and there isn't a bad song in the bunch -- what's best about From A Room: Volume 1 is how it holds together.
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Uncut
Nashville's latest crossover star makes a winning return.
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Spectrum Culture
Stapleton is one of the best, most intriguing performers working in country music today.
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Rolling Stone
Thankfully, the follow-up to Traveller is a taut, nine-song LP geared mainly toward spotlighting those remarkable pipes, with scant pandering to mainstream country radio.
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