EXILE ON MAIN ST

| The Rolling Stones

Cabbagescale

97.3%
  • Reviews Counted:37

Listeners Score

0%liked it
  • Listeners Ratings: 0

EXILE ON MAIN ST

Exile on Main St. is a double album by English rock band the Rolling Stones, released on 12 May 1972 on LP by Rolling Stones Records. It was the band's first double album and tenth studio album released in the United Kingdom. It was partially recorded in a rented villa in Nellc te, France while the band lived abroad as tax exiles, and is rooted in styles such as blues, rock and roll, swing, country, and gospel. The sessions included additional musicians such as pianist Nicky Hopkins, saxophonist Bobby Keys, drummer Jimmy Miller, and horn player Jim Price, and were completed at Los Angeles's Sunset Sound.-Wikipedia

Critic Reviews

Show All
  • Rolling Stone

    Undeniably it makes for some fine music, and it surely is a good sign to see them recording so prolifically again 

    See full Review

  • Pitchfork

    the sweaty, grimy Exile on Main St. has grown into the Rolling Stones' most universally acclaimed record  

    See full Review

  • BBC

    Reminded us why the Stones, even at their most dishevelled, weren’t to be underestimated. 

    See full Review

  • AV Club

    Whether Exile On Main Street is the best rock ’n’ roll album of all time is open to debate, but its status as the greatest rock ’n’ roll rock ’n’ roll album ever made should forever go unchallenged.  

    See full Review

  • Consequence of Sound

    From the opening riff of “Rocks Off” to the closing crescendo of “Soul Survivor”, Exile has proven, undoubtedly, to be the quintessential Rolling Stones album; the result of Keith Richards’ strenuous study in old-time Americana, southern blues, and ramshackle country-western music.  

    See full Review

  • Independent

    The album continues to inspire scores of musicians, including Ryan Adams who covered the entire thing in a special live show in New Orleans last weekend. 

    See full Review

  • Sound Blab

    It is the pinnacle of their career, to which all their previous roads have led and from whence all subsequent ones fall away. 

    See full Review

  • Classic Rock Review

    As a proper album of this great era, it is extremely average and definitely not the desert island record that so many had deemed it to be. 

    See full Review

  • Music Radar

    A staggering, encyclopedic examination of American roots music - gospel, folk, country, soul, R&B, boogie-woogie rock ’n’ roll, it's all there 

    See full Review

  • The Aso!ute Sound

    Which makes it all the more remarkable that Exile held together so well that every track on the sprawling double album added something special to the mix. 

    See full Review

  • Uncut

    Beyond its musical prowess, Exile is also a snapshot of the beautiful and the damned, a piece of 20th-century mythology that’s lost none of its power to seduce. 

    See full Review

  • Ultimate Classic Rock

    Its murkiness, with Jagger's vocals further down in the mix than usual, can make it impenetrable on first few listens, but eventually its brilliance sinks in as you peel back the layers and discover everything underneath. 

    See full Review

  • Paste Magazine

    We keep hearing that rock and roll is a feeling, right? The Stones inhabited that feeling seamlessly here, mainly because the murk fizzed and fused those seams together. 

    See full Review

  • Sputnik Music

    Exile on Main St. is less of an album than it is an experience, a sort of trip in which not only feel the music, you feel the circumstances in which the album was made under.  

    See full Review

  • The telegraph

    But when you tuck into Exile, what you are getting is a flavour. The mixes are gluey and dense, inseparably stuck together, with everybody playing their socks off, solos weaving in and out, and Jagger shouting to be heard above the din. 

    See full Review

  • Alt Rock Chick

    However, when I listen to Exile it has some of the worst mixes I’ve ever heard. I’d love to remix the record, not just because of the vocals, but because generally I think it sounds lousy. 

    See full Review

  • KSMC Moraga

    an amplification of the tough insights of “Gimme Shelter” and “You Can’t Always Get What You Want.” A brilliant projection of nerve-torn nights that follow all the arrogant celebrations of self-destruction, a work of love and fear and humanity.  

    See full Review

  • vintagerock.com

    an intoxicating melting pot of gospel, blues, country and rock 

    See full Review

  • All About Jazz

    A magnificent spontaneity permeates The Rolling Stones' Exile on Main Street 

    See full Review

  • Cover Me

    And what songs! Torn and frayed, tumbling and loving, they rose and fell from the album’s grooves, ready to knock or sweep the listener off his feet. 

    See full Review

  • Pop Dose

    it’s got everything, from the full-tilt boogie of “Rip This Joint,” to the otherworldly blues of Slim Harpo’s “Shake Your Hips,” and the terrifying voodoo of the savage “Ventilator Blues.” 

    See full Review

  • Countdown Kid

    once you put on the first song, you’re not gonna want to stop it until it concludes about an hour or so down the road and you’re soaked in its glorious muck 

    See full Review

  • Beats Per Minute

    Exile is without question the best cross-section of everything the Stones have ever tried to do, from balls-out rockers (“Rip This Joint”) to straight blues (“Shake Your Hips”) to country (“Sweet Virginia”) to gospel (the album’s clear standout, “Shine a Light”). 100% 

    See full Review

  • The Vinyl District

    it’s Exile’s moments of transcendence–the grace notes as it were–that bring me back to it when I’m in the mood to paint the whole world black  

    See full Review

  • My Vinyl Review

    organic, exciting and dynamic on some cuts, and dark, mysterious and swampy on others 

    See full Review

  • The Georgia Strait

    the Stones deliver music with all the warmth and callused toughness that was once second nature to them, making the raw, half-cut sounds they toss into the air land in beautifully rumpled heaps 

    See full Review

  • FULLALBUM-TUBE

    it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock 

    See full Review

  • Elsewhere

    the last great gasp of the Rolling Stones. 

    See full Review

  • John McFerrin Music Reviews

    it's great because one would be hard pressed to find on a single CD ... a more complete, thorough, or just entertaining depiction of what American music really is, and where rock and roll comes from. And that's enough. 

    See full Review

  • Only Solitaire

    In all, there are some more great rockers here. 

    See full Review

  • Wilson & Alroy's Record Reviews

    A double album, and it's worth the long format. Plenty of good stuff here  

    See full Review

  • The Guardian

    Appalling, diseased behaviour has never sounded as appealing as it does on Shine a Light or Torn and Frayed; the Stones were never more convincing as a country band than on Sweet Virginia. 

    See full Review

  • Robert Christgau

    Weary and complicated, barely afloat in its own drudgery, it rocks with extra power and concentration as a result.  

    See full Review

  • Adrian's Album Reviews

    hey aren't stretching themselves here, apart from possibly even managing to record these eighteen songs in the first place.  

    See full Review

  • Don Ignacio

    a huge rock 'n' roll classic 

    See full Review

  • Mark's Record Reviews

    Only a few of these songs are radio standards, but they all should be. The essential bar band record.  

    See full Review

  • All Music

    Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones' best records, but sets a remarkably high standard for all of hard rock.  

    See full Review

Rate This Album and Leave Your Comments