Everlasting
| Martina McBride
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Everlasting
Everlasting is the twelfth studio album by American country music artist Martina McBride. It was released on April 8, 2014, on McBride's own label through Kobalt Label Services. The album features covers of soul and R&B songs.[It was produced by Don Was and includes duets with Gavin DeGraw and Kelly Clarkson.-Wikipedia
Critic Reviews
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Roughstock
She oftentimes vocalizes songs with big, bright shiny pop arrangements. And if we didn’t know about her musical legacy, we’d likely guess this was an old school, middle of the road pop singer whenever listening to her albums. It’s not really about whether or not this is country music; it’s about great songs sung well. Therefore, put it on. Turn it up. And enjoy.
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One Country
McBride hits a home run with this project, a feat not many country singers could achieve. And while a covers album is a disappointment on paper (for such a gifted vocalist), she sets about hushing the dissenters and demonstrating her grip on phrasing, breath control and emotion.
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Hallels
"Everlasting" is the type of record you can listen to from beginning to end. And these songs so catchy you can't help but sing along with them. Regardless of how strategic this album is to McBride's career, this truly is a labor of love that deserves to be cherished.
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Brent Music Reviews
McBride’s popularity has waned in recent times (unfortunately), but she’s definitely still got the pipes. There are times when she could’ve ‘dug in’ more given the style, but for the most part, McBride delivers soul and remains true to herself and her style. It’s no reinvention, but at this point in her career, there’s no shame in dropping a covers album.
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All Music
There's warmth in Was' production and honey in McBride's voice and if the combination can sometimes result in too-sweet tea, it's nevertheless soothing.
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Pop Matters
Everlasting is a sound and enjoyable effort from the established country artist. That said the furthest Martina McBride steps outside the box is merely covering the soul classics, rarely owning them. There’s nothing wrong with McBride being firmly planted within her country niche, but a little more grit certainly would’ve taken many of these classics to the next level.
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