Bo Diddley in the Spotlight
| Bo DiddleyBo Diddley in the Spotlight
Bo Diddley in the Spotlight - There are surprises from these 1960-vintage recordings, including the languid, Caribbean-sounding "Limber"; the soft, romantic "Love Me"; the doo wop-style "Deed and Deed I Do"; the loping "Walkin' and Talkin'"; upbeat, gospel-tinged rockers such as "Let Me In" interspersed with the hot and raunchy "Road Runner," "The Story of Bo Diddley," "Craw-Dad" (a genuine diamond in the rough), and "Signifying Blues"; and solid instrumentals like "Scuttle Bug" (really "Live My Life" with the vocals removed and Otis Spann overdubbed on piano) that make this record more than worthwhile. -Wikipedia
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Doesn't mean that this record isn't a good separate issue, just somewhat redundant if you have the box. There are surprises from these 1960-vintage recordings.
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Rastilho
One of the essential names of the early rock and roll era, inventor of that "Bo Diddley beat" -- bomp, ba-bomp-bomp, bomp-bomp -- that became one of rock & roll's bedrock rhythms - showing up in the work of Buddy Holly, the Rolling Stones, and the Who to name but a few - Bo Diddley pushed rock and roll to its funkiest extreme. Mostly known for the hot and raunchy hit "Road Runner", Bo's fourth album from 1960 hides more than a few suprises: from the Caribbean-sounding "Limber", to the doo wop-style "Deed and Deed I Do", or the solid instrumental "Scuttle Bug", this is an unmissable chapter in Bo's early career.
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Dusty Groove
Man, with a square guitar and a badass style of presentation, it's hard to imagine how Bo could manage to NOT be in the spotlight! The album, like all his early Chess sides, is a real cut above the usual R&B set – with all original tracks, a really self-contained approach, and a no-nonsense approach to the groove that makes for no-filler, all unique Bo Diddley all the way through!
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