The Rise and Fall of Ziggy Stardust and the Spiders from Mars
| David BowieThe Rise and Fall of Ziggy Stardust and the Spiders from Mars
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by English musician David Bowie, released on 16 June 1972 in the United Kingdom. It was produced by Bowie and Ken Scott and features contributions from the Spiders from Mars, Bowie's backing band — composed of Mick Ronson, Trevor Bolder and Mick Woodmansey. The album was recorded in Trident Studios, London, like his previous album, Hunky Dory. Most of the album was recorded in November 1971 with further sessions in January and early February 1972. Described as a loose concept album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars is about Bowie's titular alter ego Ziggy Stardust, a fictional androgynous bisexual rock star who acts as a messenger for extraterrestrial beings. The character was retained for the subsequent Ziggy Stardust Tour through the United Kingdom, Japan and North America. The album, and the character of Ziggy Stardust, were influenced by glam rock and explored themes of sexual exploration and social taboos. A concert film of the same name, directed by D. A. Pennebaker, was recorded in 1973 and released a decade later. - WIKIPEDIA
Critic Reviews
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RollingStone
1972 - David Bowie has pulled off his complex task with consummate style, with some great rock & roll (the Spiders are Mick Ronson on guitar and piano, Mick Woodmansey on drums and Trevor Bolder on bass; they’re good), with all the wit and passion required to give it sufficient dimension and with a deep sense of humanity that regularly emerges from behind the Star facade.
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Don Ignacio
It's not a perfect album, but it's sparkly, it's tuneful, it's inventive, and it's 100 percent entertaining.
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Mark Prindle
It's kind of a rock opera - based on the true story of that comic strip Ziggy.
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Only Solitaire
The best offer that glam rock could ever make. Overrated, perhaps, but still a rabble-rousin' classic.
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Adrian Denning
There isn't a weak moment on this album.
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Wilson & Alroy's Record Reviews
Bowie's commercial breakthough record.
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APHORISTIC ALBUM REVIEWS
Ziggy Stardust as a whole, its blatantly insincere approach is part of its uniqueness and charm.
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John McFerrin Music Reviews
the album is a long, long way from perfect, but there are so many nice aspects that a grade less than this seems absurd.
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ALL MUSIC
first time his vision and execution met in such a grand, sweeping fashion.
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BBC
2002 - Ultimately, what Ziggy really represents is an artist who was in the right place, with the right people and the right songs at the right time.
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UCR
2017 - The album was an international phenomenon.
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Classic
Although it is a concept album, nothing feels forced and nowhere is it repetitive, just a grand parade of songs which collectively tell a story.
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SLANT
2004 - Truly timeless pop—truly timeless art in general—is transformative; you emerge somewhat different after experiencing it.
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UNCUT
2012 - a record about fame, about rock’s messianic potential and its always-threatening end (you could read the “five years, that’s all we got” scenario as a metaphor for the truncated lifespan of the average pop idol).
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popMATTERS
2012 - Forty years later, Bowie's influential masterpiece is still as electrifying and addicting as ever.
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Amino
2018 - This is one of the most unique and cool albums I have ever heard.
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sputnik music
2011 - Musically, the disc is a virtually flawless example of radio-friendly glam rock. Underpinned by sweeping orchestral scores; the glitzy rock chords and rhythm section are fleshed out with strings, horns and piano, resulting in a ‘fuller’ and more grandiose sound than present on any previous Bowie record.
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TRASH
2019 - I wish I’d listened to this album way sooner because it’s brilliant.
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keno
2002 - a great album that stands the test of time.
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Medium
2015 - Individuals songs have rightly become classics and the entire album is worth perusing through on an easy night, but if it doesn’t sound like your thing in passing it might be tough to get to the good stuff.
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TREBLE
Ziggy Stardust has been hailed as Bowie’s finest hour. And yet, it was really just one of the many phases he’d undergo as an artistic shape-shifter and a performer in a constant state of evolution.
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The Austin Chronicle
2002 - rock & roll just doesn't get any better than this.
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