Love is Dead

| Chvrches

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  • Reviews Counted:49

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Love is Dead

Love Is Dead is the third studio album by Scottish synth-popband Chvrches. It was released on 25 May 2018 by Virgin EMI Records and Goodbye Records. The album was co-produced by Greg Kurstin, marking the first time the band have worked with outside producers. The band collaborated with David Stewart from Eurythmics and Matt Berninger from The National during production. The album was announced by Martin Doherty at the start of January 2018, with frontwoman Lauren Mayberry accidentally revealing the album's name in a since-deleted interview that same month."-Wikipedia

Critic Reviews

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  • NME

    It’s a relief to hear CHVRCHES finding a different voice and a saltier edge on ‘Love Is Dead’.  

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  • Consequence of Sound

    May be the most impersonal record that CHVRCHES have ever produced  

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  • Spin

    an album concerned with disillusionment, growing up, and a certain political exhaustion waiting to harden into resolve.  

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  • Tiny Mix Tapes

    Formally earnest, it succumbs as a product of its (unearnest) production, an art of sincerity lost underneath  

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  • Rolling Stone

    New Wave’s buzzy bliss and post-goth’s gloom.  

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  • The Guardian

    Their most seductive package yet  

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  • Stereo Gum

    Actually worse than the previous Chvrches albums 

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  • Variety

    Most fully-realized effort to date (musically, anyway). 

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  • The Irish Times

    Pleasant but boring bubblegum pop for the masses  

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  • Paste

    Assertive but not showy, passionate but not gaudy, and wholly necessary.  

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  • PopMatters

    Its high points are some of the highest CHVRCHES have ever reached  

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  • Uproxx Music

    It’s possible that Chvrches has already fully explored its single dimension. 

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  • The Current

    Anyone who enjoys well-crafted, engaging songs, 'Love Is Dead' will be an instant favorite 

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  • Sonic Observatory

    For me, the album is still a half-decent album in Chvrches’ discography with some great tracks that will only sound better on a turntable setup. 

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  • Slant

    Sweeping sentiments about heartache and resiliency  

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  • RTE

    Wounded fatalism and forced drama  

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  • Relix

    It’s certainly a great evolution 

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  • Drowned in Sound

    The sound of your heart as it falls back in love.  

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  • Refinery29

    Almost as a conversation with the listener 

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  • Diandra Review

    The ultimate pop battle between Hate and Love.  

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  • Music OMH

    Not as engaging or interesting as its predecessors.  

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  • Clash Music

    Takes a subtler tact, but the shift holds well with a strong pop transformation.  

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  • The Young Folks

    Complex, formidable pop melodies tinged with anger and desolation.  

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  • Arena

    They were successful at creating a sound that's amped up, but not destroyed 

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  • Sputnik Music

    Love Is Dead is a frustrating album  

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  • Albumism

    The album fizzles on impact, an indistinct battle indifferently ceded.  

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  • Spectrum Culture

    Stretched their sound to its logical breaking point.  

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  • Narc

    Bold and aggressive break for the big leagues  

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  • No Ripcord

    There are still enough glimpses of the crossover working to make it a worthwhile listen  

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  • Music Connection

    Love is Dead illustrates the maturation process and emotional fluctuation of Mayberry’s love life.  

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  • It's All Dead

    Leaving just enough uncertainty to let the listener decide the mood  

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  • Star2

    Relentlessly hook-filled with reliably explosive choruses.  

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  • Aesthetic Magazine

    Self-actualization rather than lectures acting as the guiding principle.  

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  • Immortal Reviews

    Brining their honest emotions to the surface with a newfound rawness.  

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  • QRO

    Deliver their powerful electric emotion  

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  • Under the Radar

    Exciting, engaging and boundary-pushing synth-pop  

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  • The Outright Geekery

    Tackles some heavy hitting themes while remaining chipper.  

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  • Exclaim Music

    I find myself drawn back to it time and again.  

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  • London in Stereo

    The sound is maximised, the mythology more ambitious and it’s their most cohesive work yet. 

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  • XS Noize

    The most pop stuff and also the most aggressive and vulnerable at the same time  

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  • Entertainment Weekly

    High-energy, pop-meets-punk exercise that muses on romances 

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  • The Skinny

    Adding a surprising aggression to boot.  

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  • Dork

    A diverse genre based on a multitude of constantly shifting influences  

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  • DIY

    Sparkling synths and glorious percussive beats  

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  • AV Club

    Bigger and more layered  

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  • The Line of best Fit

    Chvrches swing for the mainstream and miss with Love Is Dead  

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  • Flood Magazine

    The assembly line craftsmanship is unlikely to alienate their most ardent admirers.  

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  • Loud Sound Magazine

    Akin to describing yin and yang as manifested components of the same force.  

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  • The Sound Board

    Clear sense of progression and realistic gravity  

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