Dummy

| Portishead

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Dummy

Dummy is the debut studio album by English electronic band Portishead, released on 22 August 1994 by Go! Beat Records. The album received critical acclaim and won the 1995 Mercury Music Prize. It is often credited with popularising the trip hop genre, and is frequently cited in lists of the best albums of the 1990s. -Wikipedia

Critic Reviews

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  • Pitchfork

    Portishead’s 1994 debut is a masterwork of downbeat and desperation. They invented their own kind of virtuosity, one that encompassed musicianship, technology, and aura.  

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  • BBC

    Quite simply one of the greatest debut albums of the 1990s. 

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  • Soundblab

    There are few debuts as fully realized as that of Portishead’s 1994 release, Dummy.  

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  • Clash Music

    “‘Dummy’ has aged much more successfully than any other British album of the era.” 

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  • Rolling Stone

    From tape loops and live strings, Fender Rhodes riffing and angelic singing, these English subversives construct très hip Gothic hip-hop.  

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  • XS Noize

    Portishead’s “Dummy” has often been imitated but never replicated because masterworks cannot be truly copied and “Dummy” is a masterwork. 

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  • Sputnik Music

    This album comes thoroughly recommended to any fans of hip-hop (that's hip-hop music, not rap vocals), female soul vocalists, or anybody unfamiliar with trip-hop and who wants to experiment.  

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  • New York Times

    A trip-hop classic.  

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  • Stereogum

    I don’t know why or how Dummy worked like white-people Jodeci, but it sure as hell did. 

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  • Audioxide

    Dummy is a wonderful record that is undoubtedly of its time, yet continues to thrive in the headspace of the modern listener.  

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  • Audioxide

    Dummy’s murkiness is part of what makes it so emblematic of the ‘90s, but I also think that quality cuts the record off from being iconic in its own right.  

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  • Audioxide

    Spooky, smooth, and sensational.  

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  • Bloody Disgusting

    ‘Dummy’ is one of those albums that are absolutely necessary for every album collection. I loved it the first time I hit play and I still love it in its entirety.  

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  • All Music

    Better than any album before it, Dummy merged the pinpoint-precise productions of the dance world with pop hallmarks like great songwriting and excellent vocal performances.  

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  • Slant Magazine

    Dummy, an album which undoubtedly conjures the thought of a person, place or sour time for its every listener, sounds just as groundbreaking today as it did eight years ago.  

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  • PRI

    A defining album of the time. 

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  • Classic Album Sundays

    heir distinctive blend enabled them cross over from a club fanbase to an indie audience which helped them win the coveted Mercury Music Prize. 

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  • Vulture

    Twenty years have passed, but as a testament to Barrow, Utley, and Gibbons’s integrity and to its own necessity, Portishead still bows to none.  

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  • Crossfadr

    Dummy helped inaugurate the UK trip-hop scene, opening doors for a whole wave of trip-hop acts including Tricky, Massive Attack, Morcheeba and the Sneaker Pimps.  

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  • Vanyaland

    A landmark album.  

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  • The Guardian

    It struck a nerve in what Barrow calls our “sonic unconscious… when sounds can merge with other sounds from somewhere else, and ultimately create emotion”. 

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  • Aphoristic Album Reviews

    Dummy is a glorious example of the way that the exploratory nature of the 1990s opened up new musical avenues; a band using technology to synthesise ideas and arriving at something original and heartfelt.  

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  • Independent

    Portishead defined the Nineties while remaining completely mysterious. 

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  • Reverb

    A mixture of creative sampling, adventurous recording techniques, and some sick vintage gear. 

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  • Albumism

    Dummy is a nearly perfect expression of a short-lived genre, with few acts that had the same impact as Portishead. 

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  • Treble Zine

    Portishead’s despairing, clattering version of soul across the whole of Dummy—the scene-setting “Mysterons,” the legitimately upbeat “Strangers,” the stroll into the sunset of “Glory Box”—earned its trip-hop label. Often imitated, never duplicated. 

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  • Pop Matters

    Music, be it from a guitar or a guitar that has been sampled, rearranged and repackaged, is still music—especially when it's done with such care as displayed by Utley, Barrow, and Gibbons. 

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  • Music Musings and Such

    When Dummy turns twenty-five on 22nd August, I think a lot of new people will discover this gem. I mentioned how Dummy still sounds fresh but, also, it reveals new layers and things that you might have missed. 

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  • Louder than War

    There will always be a young person somewhere needing to feel listened to and understood and Dummy will often find them. 

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  • Get into This

    What this record needs, what it deserves, is some nice warm sounding speakers. Turn the lights down low, the bass up high and find yourself something to help this glorious and melancholy medicine go down. 

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  • Radio X

    The frail vocals of Beth Gibbons complimented the eerie atmosphere concocted by Geoff Barrow and Adrian Utley. 

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  • Across the Margin

    Dummy is still Portishead’s mecca. 

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  • Spectrum Culture

    Like that room with decades of paint that you can’t muster the courage to paint over, the mélange of decades and the timelessness of a female crooner makes this album a classic. 

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  • Music Times

    With its dark yet sultry atmosphere, soulful vocals, and hip-hop beats, the album would perfect the burgeoning trip-hop genre and go on to influence artists such as Radiohead and Kanye West. 

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  • The Student Playlist

    Portishead, a three-piece consisting of producers and instrumentalists Geoff Barrow and Adrian Utley and fronted by singer and songwriter Beth Gibbons, did not invent trip-hop, but their 1994 debut album Dummy came to define it completely. 

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  • Only Solitaire

    Overall, a satanic masterpiece, and I haven't even mentioned all the backwards messages. 

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  • Echoes and Dust

    This album has become a trigger and it just opens my heart, and all the sadness and desperation leaks out. 

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  • The Telegraph

    Winners. 

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  • The 405

    It's very rare for an album to define a whole city; its ethos, its character and its culture. Dummy is that kind of album. 

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  • Hotpress

    Zappa arises from out of the layers of the compositions due to the degree of experimentalism Portishead bring to this outstanding, unforgettable listening experience. 

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  • Nowhere Bros

    A pioneering trip-hop album and formed part of what became known as the Bristol sound. 

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  • FACT Magazine

    Two decades on, Dummy still sounds as hypnotic and engrossing as it did then, a gritty take on hip-hop, 1960s movie soundtracks and traditional songwriting that laid bare the potentials afforded by sidestepping rigid genre formats. 

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  • Tunedig

    The unsettling-yet-sublime "Dummy" is a haunting masterclass in vibe.  

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  • Album Chats

    Although they slotted themselves nicely into the niche started by Massive Attack, it was Portishead who legitimized trip hop as the sound of the future. 

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  • The Marquee

    When Portishead’s debut album Dummy dropped in 1994, it was like a new musical species had been discovered.  

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  • The Mezzanine

    Dummy is one of the records to hear before you die. 

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  • Lone Reviewer

    This album is a classic and more than 20 years after his release, sound is still catchy and surprising. 

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  • Prefix Mag

    It’s a scrupulous accomplishment and a demonstration of the band’s vision, longevity, and focus, finding the members once again wading the headwaters of new genre. 

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  • uDiscover Music

    Portishead Captured The Zeitgeist Like No Other Band. 

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  • Medium

    The breakthrough album that defined trip-hop. 

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