Blink-182

| Blink-182

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Blink-182

Blink-182 is the self-titled (or untitled as stated by Mark Hoppus) fifth studio album by American rock band of the same name, released on November 18, 2003 by Geffen Records. Following their ascent to stardom and success of their prior two releases, the trio was compelled to take a break and subsequently participated in various side projects (Box Car Racer and Transplants). When they regrouped, they felt inspired to approach song structure and arrangements differently on their next effort together. Recorded from January to October 2003 with producer Jerry Finn, the album has been described as darker and more mature than the band's earlier work. It also marked a musical departure from their previous efforts, infusing experimental elements, inspired by lifestyle changes (the band members all became fathers before the album was released) and side projects, into their usual pop punk sound. Its songs are sonically expansive and downcast, leading critics to view it as a more elaborate, mature side of the band. The songwriting is more personal in nature and explores darker territory, touching upon the realities of adulthood and unexpected hardships. In addition, its recording process was long and often unconventional. Fans were generally split regarding the band's "new" direction, but the album proved successful, selling 2.2 million copies in the United States. It received positive reviews, with critics welcoming its change in tone. Lead singles "Feeling This" and "I Miss You" received the most radio airplay out of the four singles released, and peaked high on Billboard charts. The worldwide touring schedule, which saw the band travel to Japan and Australia, also found the three performing for troops stationed in the Middle East. The album was the band's last recording with longtime producer Jerry Finn and their final original material before a four-year-long hiatus.-"Wikipedia"

Critic Reviews

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  • The Sight and Sound

    Thematically the album links together nicely with songs about romantic decline and the struggle of letting go of someone you love. On “Stockholm Syndrome Interlude” a war letter sent by Mark’s grandfather to his grandmother is read over some light piano and the dark romantic narrative it conjures fits perfectly with the aesthetic of the album.  

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  • Rock Zone

    Blink-182 is a real statement for the band. It says that they are older and more mature, and they aren't afraid to write about their feelings. Everyone knows they are still kids at heart, but their audience should actually appreciate the fact that this album can be enjoyed by someone over the age of thirteen.  

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  • Rolling Stone

    Blink-182 don’t skimp on catchy hooks — on “Feeling This,” “Asthenia” and “Go” — and their lyrics are still unsophisticated and lovelorn, but even the poppiest tunes prove artful. Maturity suits these guys: Five albums into their career, it sounds like they’re just getting warmed up. 

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  • AV Club

    Its most achingly sincere love songs become cloying, but it's easy to both enjoy and appreciate Blink-182's effort and evolution, especially when hooky pleasures continue to function as its primary stock in trade. 

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  • Sputnik Music

    This album showed the most musical and lyrical growth that I have ever seen from a band. Everything that the band had done well in the past was matured, refined, improved upon, and put into this album. All of the previous albums had all been building up to this masterpiece. 

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